saginthesunforever is a multidisciplinary artist, activist, and philosopher. They are avid observers of the cosmos and humanity, focusing on black liberation, spirituality, and the free flow of ideas.
Their artwork explores both the inner and outer worlds and serves as a vehicle for human growth, change, and healing. They use their imagination to communicate with others and their higher selves, as they believe it to be one of the most powerful forces in the universe.
They also have a strong commitment to problems of social justice, equity, and human rights. For them, art can change people's perspectives, and they employ this concept to promote the acceptance of marginalized groups.
They share the traits of poets and activists. They believe words can change the world for the better. Therefore they utilize their fame to speak up for marginalized groups. They have a deep commitment to problems of social justice and the power of art as a tool for change.
Poems by saginthesunforever are raw and emotional explorations of complex themes, including love, loss, self-discovery, and social injustice. Their articles have appeared in several periodicals, and they are now polishing up their first poetry collection.
They are all-loving, all-illuminating creatures. They believe there is only one destination worth traveling to in their quest for truth and knowledge. They believe strongly in the power of spirituality, the equality of all individuals, and the freedom of black people.
They are an imaginative person who experiments with several forms of expression. They believe that imagination is among the most potent means by which we may better ourselves and the world around us. They are also fond of trying out novel methods of expressing themselves.
It's a hobby of theirs to paint and draw, which they learned themselves to do. They started painting landscapes and seascapes, but now they enjoy dabbling in other styles and materials. They are always on the lookout for fresh methods of expression, both for themselves and their ideas.
